Battling extensive racial prejudice, she broke many barriers, including as the first African American to perform with the Metropolitan Opera.
UN Secretary-General Dag Hammarskjöld hailed her contributions to art and diplomacy, which live on in her legacy as an inspiration for generations to come.
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Contralto commemorates human rights declaration
A distinguished United States contralto, Ms. Andersen was also a presence on the diplomatic scene, including the 1950 commemoration held at New York’s Metropolitan Opera House for the second anniversary of the landmark UN Universal Declaration of Human Rights.
Following her epic performance with the Metropolitan Opera, she shared an A-list table, as shown in the archived photo below, with (from right to left) head of International Business Machines (IBM) Thomas Watson, former UN first lady and chair of the UN Commission on Human Rights Eleanor Roosevelt, General Assembly President Nasrollah Entezam, UN Secretary-General Trygve Lie and Jeannette Kittredge Watson.
Marian Anderson (far right) at an intermission on Human Rights Day at New York’s Metropolitan Opera House in 1950. (file)
Cold war collaboration
A staple in the UN conference rooms and at commemorations, Ms. Anderson joined renowned performers Ezio Pinza, Danny Kaye and other stars in 1953 during UN Day celebrations. Watch that performance here.
Again in 1976, the United States ambassador took the stage in the iconic General Assembly Hall at the UN’s 31st birthday celebration, appearing alongside the National Symphony Orchestra of Washington, D.C., under the direction of Antal Dorati.
Ms. Anderson was one of two soloists. She was the narrator in Aaron Copland’s composition Lincoln Portrait, and Lazar Berman, the Soviet pianist, performed Tchaikovsky’s First Piano Concerto.
US Ambassador Marian Anderson addresses the Fourth Committee during a discussion in on the Cameroons in 1958. (file)
Stories from the UN Archive
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